With a bit of clever shaping, The Shawl Collar Stole is a meltingly soft stole that drapes beautifully and securely around the shoulders. The wide top band in gentle ribbing turns over to form a snuggly collar. The back is curved to create some roominess through the arms and allow the fronts to sit properly. The stole is just wide enough for comfortable coverage, but not so wide that you’re constantly sitting on the back, and the fronts have enough wrap-around length without getting in your way. Valley Superwash Bulky makes the crocheting quick and smooth, while the relaxed gauge and open lacy stitch pattern keep this stole surprisingly lightweight yet cozy without being stuffy.
We asked Doris to tell us about about how she designs, what she finds inspiring, and to give us a hint about what we can expect to see throughout the year.
Tell us a bit about your design process. Do you have design ideas in your head that inspire you to search out the right yarn or do you find a yarn and let the design grow from there?
Unless an editor requests a specific silhouette or style, I will always begin with yarn. Yarn in the hands speaks to me in ways I don’t completely understand and begins a process not easily explained. I have referred to this process as organic designing rather than technical designing. A technical designer may create a completed project in the mind, perhaps to the point of being able to write a pattern, before ever picking up a hook. That designer has only to plug in an appropriate yarn and crochet according to the plan, or have a contract crocheter make the sample. An organic designer grows things from yarn. Sounds idiotic and overly simplistic when put that way, but it does describe how it feels to me. It’s not that technical designers don’t care about yarn or that organic designers are space cadets. Designers aren’t totally one or the other, just as no person is totally right brained or left brained. Good design is a cocktail of the two in different proportions, plus a dash of individual skill and aesthetics.
On my technical side, I possess a personal bag of crochet tricks or techniques on which I often fall back; years of experience (trial and error) have granted me a feel for seamless construction, working lace stitch patterns in relaxed gauge, shaping and manipulating fabric. But for me there can’t be design until I grok the yarn in a fairly intense, hands-on way. I sometimes take the yarn for a series of test drives(some call it swatching) before I arrive at the place I need to be. Once there is good fabric, then the project can grow from there.
Where do you find inspiration? Do you hike? jog in the city? take your camera everywhere you go? have a studio full of inspiring color and images?
Surely you jest. I am a serious slug and hardly leave my home. As an admitted sci-fi fan geek I immerse myself not in colors and fashion or artistic images, but in works of fantasy. Not that I design sci-fi fangeek crochet (not much anyway!), but I do tap into the sense of wonder, the outside-the-box possibilities that are at the core of my favorite guilty pleasures. My friends and readers inspire me. I may ask what sort of crochet they’d like to see, and then make it so. I also look backwards quite often, seeking out images and descriptions of vintage or retro pieces that can be translated into crochet-speak and given contemporary appeal. But what inspires me most is meeting a yarn that doesn’t want to live in my usual comfort zone. This pushes me to work even farther outside the box and leads me to different techniques, fresh approaches and new solutions in order to make that yarn happy in crochet.
Tell us about your design aesthetic. What can our customers expect to see from you this year?
My aesthetic is governed by what I believe looks and feels right on the body. Wearable, doable garments and accessories in flexible, forgiving fabrics that are shaped to fit and flatter are what I love to design. I prefer working in one single solid color, the better to showcase the crochet stitchwork. BUT…occasionally I wander over to the dark side and design afghans. That’s where I play with color. Nothing is as satisfying as making something amazing for your home to look at and enjoy every day
Tell us about your favorite Valley Yarn, is there a Valley Yarn you are excited to work with?
My favorite Valley Yarn to date, mainly for the reason that I am allergic to and cannot wear wool, is Goshen. I have designed extensively in this lovely cotton blend, and it is my go-to medium worsted yarn for my own personal crocheted garments. I eagerly anticipate working again with fine gauge Charlemont and the growing family of Valley Superwash, now in DK, worsted and bulky weights.
What designers do you like/follow? Are there designs you wish you had time to knit/crochet/sew?
Majorly unfair question. Honestly I’d rather NOT know what everyone else is doing, so as not to be unduly influenced by anyone. If you want to accuse me of being a lazy slug, that’s another way to say it. I do follow with understandable interest the work of my boss at DesigningVashti.com, Vashti Braha. She often takes her crochet in directions I fear to tread and with enviable passion.
And don’t forget, we’ll have a new design from Fiona Ellis next month and each odd numbered month of the year. Check out her designs here. And we’ll reveal the next crochet design from Doris Chan in April, and in each even numbered month this year! You can see all her designs here.